

Much of the film is set in darkness, from the set of the play, to the residents of the performers, and though there are scenes that occur under the light of day, these are especially minimal. That being said, there were more than a couple of scenes, where I was disturbed by the content, which was not only uniquely unpredictable, but grotesque to watch. Miike, or potentially due to the sheer number of horror films I have seen, Over Your Dead Body, neither scared nor shocked me. Perhaps because I am accustomed to the work of Mr. As similarities between the stage play and reality begin to overlap, certain characters become so obsessed with their roles, they begin to mimic them, as reality and fantasy supernaturally merge, resulting in a surprise ending. The first half of the feature seems positively normal by director Takashi Miike's standards, the second half descending into madness. Furthermore, though the film contains sex scenes, these are very tame in contrast with the tonality of the feature, yet still sensually invigorate the film. This striking contrast is also apparent in the film's representation of happiness, and the many avenues that lead towards its fulfillment, the behavior and dialogue between the characters indicating that the idea of happiness, and what happiness truly is, are two very different things. Though Hasegawa is unable to control his urges, and begins an affair with a younger actress involved in the production (Hitomi Katayama), while conveying interest in Goto's disabled assistant (Nakanishi Miho), who idolises the actress she works for, Goto herself, who is continuously the subject of married actor Jun Suzuki's (Ito Hideaki) advances, is a woman of fidelity. The sterile environment she and Hasegawa reside in, not to mention the metaphorical representation of the pet fish, illustrate the lacking emotion during their relationship, which is purely physical. Actress Miyuki Goto (Kou Shibasaki), is Hasegawa's lover on and off the stage, portraying the character Oiwa, Iemon's wife, during the production. Moreover, they are as greedy as they are ambitious, and yet, continuously find their appetite for happiness unfulfilled. Both individuals are men who are largely uncommunicative and emotionally impotent, possessing strong, lustful urges.

Though Hasegawa's attitude potentially undermines why he was selected, one cannot deny his talents, not to mention the similarities he shares with Iemon.

Those familiar with the Japanese horror film Kaidan, will potentially notice similarities between that feature, and the play taking place in Over Your Dead Body. Kousuke Hasegawa (Ebizo Ichikawa) is an actor, cast to portray Iemon Tamiya in the stage play, Makato Yotsuya Kaidan.
